#and that makes those lines very interesting

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[mohntilyet]

about illario working with the venatori, we can't forget that elgar'nan gifted him blood magic, so I do think that he somewhat influenced him and that's why he's so much more vindictive and jealous in comparison to tevinter nights. I don't mean that he's being mind controlled, but it's a bit like cyrian, a god just amplifying those negative emotions in you and promising power and glory can push a person to that edge and to make stupid af decisions.

im also not forgetting that zara line in inner demons where she talks about an envy demon. like. why an envy demon in specific...there's THINGS between zara and illario that were not shown

no literally if you get me talking about illario + envy + the possibility of getting him possessed, you will have me here for fucking ever. a non mage doing blood magic (any magic at all) is really weird and interesting to me and i don’t remember an example of this happening before (feel free to correct me tho lol. i’m discounting possessions and dwarves)

i had started wildly theorising after bloodbath that he had been possessed and he was tapping into the fade using an envy demon. especially like you said, zara mentions it, AND because i swear there’s a codex in the ossuary where it mentions an envy demon whereas spite is obviously determination, right? so i thought it was a breadcrumb trail to a big “illario is being influenced and doesn’t even know” reveal— same as you anon like great minds am i right— but i’m not sure there is actually any evidence of that lol. like maybe if you squint but i do believe it was explained away by “oh yeah, and elgarnan let him do special blood magic”

it does also make sense to me that illario can only control lucanis, due to being part of the same family. a bloodline thing, and it is very poetic to me that their shared family connection in caterina is what allows him to control lucanis, even for a moment lol. spite being the extra magical boost that lucanis needs to block that out ALSO makes sense to me so i’m not too fussed abt these details lol🤔

the envyllario in my heart also gets spectral weapons for himself. lucanis gets wings, illario gets talons, PLUS green-purple are complementary colors so it would have been really fun to see them clash with their spirit/demon-powers. the talon thing is also a kind of reflection of his end-goal desire, how envy demons already have those freaky hands, and it manifests as claws and is a much more aggressive, strength-augmenting manifestation (as opposed to manoeuvrability and speed-augmenting that spite’s wings give lucanis.) anyways that's what the diagram above is supposed to be (this is extremely hot to me)

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

[kkayyerr]

Problem.

Summary: Pogues abandoning little!reader after she did an awful mistake. Rafe is here to show her that she’s not alone.

Warnings: Age regression, angst, slight fluff in the end.

Words counter: 1,3 k

Author’s note: I used scene from the „Arcane” as the reference for this fic!!🫶🏻

Pogues had never shown their disappointment in you or even told you that they weren’t pleased with your actions. They never showed you any signs of anger, especially not when you were in the little space. No matter how bad your mistakes were, they would just try to ensure you that everything is alright. They didn’t want you to know how hard it is to clean up your mess. And you couldn’t even think of anything about them being tired of you. 

After all, every mistake can be fixed, right? 

Tonight you found out that you were actually wrong, and there are some mistakes that unfortunately can’t be fixed, not at all. 

 

„Stay here, kid.”

 

JJ said to you an hour ago, as they were getting ready to go on another fight with some people that they had introduced to you as the „bad guys." You wanted to help them, but since you were regressed, they came up with the decision that it would be better for you to just stay inside the truck while they would be dealing with all of that. You agreed, just so they wouldn’t have to worry about you while fighting, and then you watched them leave. 

 

„Good wuck…”

 

You whispered, but it seemed like nobody had heard you since they haven’t replayed, just closing the truck’s doors. Since they left, you became so much more anxious. 

What if they would get hurt? 

What if they would get killed?

What if, what if, what if...

You just couldn’t help yourself, but finding that small gun that was laying on the driver’s seat was very interesting. What if that small thing would help you get your friends out of trouble? You knew that you shouldn’t have touched the weapons, but you also knew that you wouldn’t let your friends get themselves in trouble. 

Slowly you got off the truck and immediately saw them, staying there, just a few miles away from you. And there were also those bad guys, threatening your friends. Your heart ached seeing them in fear, so you approached them and shot.

A couple of times. 

You obviously didn’t see how one of the bullets came through the JJ’s shoulder, and you also didn’t see that you almost shot Kiara right in the head. When the gun's magazine finally got empty, you opened your eyes, letting a weapon fall from your hands to the ground. Pogues were looking at you, and there was something on their faces that you had never seen before. It took a moment for you to understand that they were disappointed in you and also scared of what you just did. Everyone heads to the truck, letting JJ deal with you. They just didn’t know what to say, and they were obviously afraid of your reaction to their harsh words. 

JJ wasn’t even looking at you; he was looking through you, as if you were something that he was finally ready to leave behind. You felt how your eyes felt with tears just from the amount of guilt that you were feeling right now. You opened your mouth, but before you could start to speak, JJ just shook his head. 

 

„No. We’re done.”

 

He said, and his words made your knees weaker. He had never talked to you in such a cold manner, especially not when you were regressed. It seemed like you actually crossed the line trying to help them.

 

„They were right, you are a problem, and I’m sorry, but I don’t know how to deal with you anymore.”

 

His words were painful, but the sudden feeling of your knees hitting the hard ground brought even more pain, finally making you cry. Your cries were silent at first, but as soon as JJ had left your sight, silent sniffles turned into loud sobbing. 

 

„Pwease, don’t go.”

 

You hugged your bloody knees, whispering some sort of pleading out loud, even though you knew that nobody would hear you. Or at least you thought so. 

Rafe Cameron saw your small trembling figure, and he was intrigued. Something about that scene reminds him of himself when he was a child, left alone and crying for nobody to hear him. Rafe shook his head to get rid of that image. 

Why would Pogues leave someone behind? 

He almost felt bad, hearing your sobbing as he approached you. Your hair wet from the rain and your face puffy from all the tears. You probably needed someone to console you, or at least someone who would be there for you, right? And you would most probably do whatever it takes to not be abandoned again. 

 

„Why are you here alone, little one?”

 

He asked, crouching down in front of you, waiting for you to answer his question. You rubbed your eyes in a childish manner, trying to focus your gaze on the man. He wasn’t looking like he was planning to hurt you, and even if he would, it wouldn’t hurt as much as getting abandoned by a Pogues did. 

You looked at him for another second, and then you jumped on him, hugging him tightly with your little arms. Both of you were lying on the ground now, but he didn’t seem to protest. He didn’t hug you back, though, not yet. 

 

„They left me, Pogues left me.”

 

You whispered, trying not to start sobbing again. His eyes widened, as he couldn’t believe what he had just heard. How could they call themselves a family when they’re leaving their people behind? The thoughts of getting left were hurting your little heart so bad that you almost screamed but felt two strong arms picking you up from the ground just in time. You didn’t know who that man was, but the need in someone’s care right now made you desperate enough to accept his attention. You hugged his neck with your hands, hiding your face there as he was trying to calm you down. 

 

„I’m lonely”

 

Rafe chuckled at your pitiful voice, hugging you tighter. He wasn’t the big fan of hugs, but he knew that you needed that right now. He also knew that you were way too tired now to give him any information about yourself or at least explain what happened previously, but he also knew that you wouldn’t say „no” if he would offer you to go with him. 

 

„You won’t be lonely for too long, little one.”

 

His words were gentle; he didn’t want you to get scared or overwhelmed. He could tell that you were close enough to yet another tantrum just because of the stress that you had experienced from getting left alone. 

 

„I’m Rafe Cameron, can we be friends?”

 

You nodded, wanting at least someone to be around. You couldn’t stay alone, especially when you were regressed. He smirked at your response, knowing that he doesn’t want to be your friend. He wants to be your everything, and somehow you didn’t seem very against it.

 

„From that moment you will never be left alone again, baby.”

 

You looked at him with a small suspicion. It was hard for you to believe that someone might actually want to deal with you, and not leaving you behind when you would became too much. Rafe extended his pinky, his big hand approaching yours.

 

„Pinky pwomise?”

 

Your eyes widened, and your face turned more bright. For you, a pinky promise was something more meaningful than a signed contract or a proposal ring. You slowly connected your pinky with his, smiling happily. 

 

„Pinky promise.”

 

He reassured you, giving you a gentle kiss on the nose, making you smile once again. After he saw that smile, he knew he wouldn’t ever let anyone make you cry. 

Taglist: @marvelfanfics1 @aew-regression-cove @rafecameronsloverrrrr

[gaywineauntsstuff]

But also my favorite thing to do is incorporate Dicks fanon character into his canon one

Because he would

Dick, despite being one of the most competent, well known and respected members of the hero community

He Is famously easy to underestimate

Like cartoonishly so to the point where the people who do feel like idiots to us

He’s so easy to underestimate that people who are aware of his skill either by direct combat or receiving a file on it will proceed to violently underestimate his abilities.

The first 2 instances that come to mind are

-the fact that deathstroke let him train Rose because slade knows how good Dick is but somehow doesn’t clock that the man that he’s been fighting for I believe it was at least 4 years (depending on timelines and when you believe the blockbuster storyline happened in relation to Judas contract) would be capable of manipulating his daughter into turning against him

Spryal. There is literally a scene where Dick collects DNA evidence in front of Helena because he’s cracking jokes and using a lollipop to do it. Not only is it in front of Helena it’s also INFRONT OF MINOS.

he’s canonically so good and making you see things that aren’t there and not see things right in front of you that he was a prodigy with the Hypnos facial tech.

There are more I’m sure but those are the most memorable ones in my brain.

But it’s also pretty prominent in his dialogue vs internal monologue

Where is dialogue is very wise-cracking and punny (let’s not talk about the term nightwinging it) his internal monologue is far more analytical and if it isn’t it falls more along self critical or caustic sarcasm.

Dick Grayson is the character who is most likely to play into that fanon characterization of him anytime he is not in a position where he needs to be in charge.

Like Dick does use the fact that he has a pretty face and a nice smile and a strong moral viewing of right and wrong to trick people into thinking he’s naive and not definitelyyyy not outwitting them.

He’s talked about how he’s the nice bat and the friendly one who will stop for a chat but when he puts his foot down it better not be in your neck.

And he absolutely would play up technical incompetence and being poor at life skills if it made him easier to talk to giving him more access to information.

Especially among the more anti hero and broader hero communities.

I mean Dick is canonically talked about as the one you go to with your problems when he literally told people he has files on how to take them down and then proceeded to SHARE the files.

That’s how much trust he’s built up in his community.

Anyway that’s not the reason that the fanon characterization exists but it’s a reason I find it very interesting in general.

Like there is a TikTok series where the canon and fanon bats meet and I genuinely if Canon Dick met Fanon Dick he would absolutely steal some of those lines and use them next time he needs a morally ambiguous older man who understands he might be a challenge but seriously how big of a threat could nightwing be to underestimate him.

I’m about to ruin your guys day. Let’s talk about canon and fanon. Dick Grayson edition. I’ve realized that some people don’t actually know what’s canon and what’s fanon. (It’s okay to like what’s fanon more than what’s canon, but I want to clear some things up)

Cooking: Dick can actually cook! Literally everyone says that he can’t cook, but he can! He has cooked for his younger brother (Tim Drake) numerous times! I’m pretty sure he’s cooked with the Titans too.

Singing: Dick is one of the only batfam member’s who can sing. In fact Dick is good at literally everything. (Not EVERYTHING but he can do most things)

Kindness: Don’t get me wrong Dick is a sweetheart but some people make it seem like he’s sweet, in a very dumb way. My point is that he’s nice, but not to the extent people make it out to be.

Brothers: This has to do with Dick and Tim, but I still want to add it. Most people think that Tim’s favorite brother is Jason. This is not the case. Tim is the closest with Dick. After Jason died, whatever Dick didn’t do for Jason, he did for Tim. He even trained Tim.

Ps: Tim even grew up with Dick as Robin.

[satsuha]

i'm always really interested in how the characters call each other in japanese games, so i laid out a few differences between the japanese and english versions of some ace attorney games that particularly interest me. this isn't meant to be an exhaustive list but it did get really long 😭

i highlighted english nicknames/etc in blue while japanese nicknames/etc are orange just to make reading a little easier

AA1-2

while only playing the english version i liked that maya called phoenix nick, it's a nickname that makes sense and phoenix is annoying to say and write anyway (lol) but the reason maya gives for this nickname in english is that it's what larry uses for him, which pales in comparison to maya in the japanese version opting for how mia used to call him: naruhodo-kun.

to me, this is a LOT more meaningful and informative than the english nickname because it not only is evidence of how much maya heard about phoenix from mia using that nickname, it also gives us a glimpse of maya's personality and her relationship with phoenix. -kun is an honorific that's usually used for either male classmates or for teachers/superiors to use with their students/subordinates. maya falls into neither of these categories with phoenix, but it also lines up with how she acts like the boss of the office a lot of the time. SO LIKE... ultimately the nickname nick just does not hold up in terms of both maya's reasoning for using it, and phoenix's apprehension at her calling him that... which i just think is a shame!! in the same vein, this nickname is passed down to pearl, and again you see phoenix having a Reaction to it which makes sense considering it's funny that a kid is calling him naruhodo-kun...

i don't only want to talk about changes in english that i don't prefer, so i also want to mention that i'm very impressed that they managed to get phoenix and edgeworth referring to each other by their surnames in english to sound natural... because it's also exactly what they do in japanese except there, the idea of male friends using their surnames with each other is a very very normal thing. i AM torn on the fact that in japanese larry also refers to the two of them by their surnames, which means all 3 of them are on equal grounds in that respect. AT THE SAME TIME... english makes larry's "nick" and "edgey" work so well that i really can't say we missed out with this localization, but i do like the relationship between these 3 so i do like that the japanese is indicative of it too :)

AA4

i'm skipping ahead to aa4 because trucy's also a very interesting localization to me... the first time i played aa4 i felt like trucy wasn't sufficiently differentiated enough from maya's character which is like. debatable but those were my initial thoughts anyway. in japanese though she uses third-person pronouns (calling herself by her own name, minuki) which is VERY distinct from maya. there are a number of ways to interpret this choice but i like the one that indicates that it's part of her stage persona. aside from that though, she also has a very normal nickname for apollo (odoroki-san, with -san indicating general politeness) while polly is um well canonically the name of a parrot LOL

i do find it pretty interesting that the above exchange is the first instance trucy uses the polly nickname, because it's entirely different in the japanese version. phoenix says "if this onii-chan over here can't help you..." to which trucy responds by saying "how could you, onii-chan!" this exchange is hilarious to me because phoenix referring to apollo as an onii-chan is pretty normal? it's common to refer to any young man as that and in this case he's also referring to apollo from trucy's perspective. but trucy DIRECTLY calling apollo onii-chan (brother) is just so funny because HERE it's a lot closer to how an actual younger sister would refer to her older brother; there's a difference between saying "this onii-chan" and just "onii-chan". now i'm not saying this was direct foreshadowing because onii-chan is also used between close friends/acquaintances but like... the possibility is there.

AA5

now onto simon because i don't actually have a problem with the localization making him a british weeaboo i think that's really funny but i DO wish the nicknames he uses for the defense attorneys were more... appropriate? the honorific -dono that he uses in english does complement his samurai look but it's usually used in contexts where there's some respect involved, which is... not simon's intention in japanese. i'm admittedly not too familiar with the nicknames he uses in japanese; he uses "[kanji] no ji", while using a kanji from phoenix/apollo/athena's surnames. by searching it in japanese, i'm finding answers that it was medieval slang used by men usually in red light districts and such, and was used to refer to those with equal or lower status to oneself but never to those of higher status. this is kinda the opposite of what -dono is which is used for those of equal or higher status!!

i also find it pretty amusing that despite him using the first kanji in phoenix's name; 成 (turn into, grow), he uses the second kanji in both apollo and athena's names; 泥 (mud) and 月 (moon) respectively. i can only imagine that he did this because the first kanji in their names; 王 (king) and 希 (rare, hope) respectively, were too positive/complimentary for him? LOL

AA6

now i want to to talk about apollo in aa6 because NNGNRHGH i'm not normal about this one. because like, similarly to what i said up there about phoenix, edgeworth and larry's relationship, it's completely normal for close male friends to use their surnames with each other. phoenix, being apollo's boss, refers to him as odoroki-kun (mirroring how mia and maya call phoenix). trucy uses odoroki-san, indicating general politeness and athena uses odoroki-senpai, because he's her senior in their workplace. clay uses odoroki (no honorific), which is the same "level" as phoenix/edgeworth/larry's relationship.

a male character never being referred to as their first name is pretty normal, which is also the case in the aa games. franziska calls edgeworth by his first name reiji which is SUPPOSED to stand out because it's notably impolite/informal for someone who is younger than him, which suits the idea of her thinking of herself as the elder sibling. for additional reference, phoenix is only referred to by his first name by dahlia/iris; ryuu-chan ("feenie" equivalent) and desiree; ryuuichi-kun ("nicky boy" equivalent). so apollo is referred to exclusively by his surname, because there isn't anyone who's associated with him who would feasibly use his first name.

THAT IS. UNTIL we meet datz who is the first (!!) character to use apollo's first name in japanese. this moment doesn't stand out in english because i KNOOWWW datz uses the AJ nickname which is very cute but he doesn't actually use that nickname the first time he indicates that he knows apollo in case 6-3!! phoenix's momentary confusion here is also explained because while he obviously knows apollo's full name, he's never heard anyone refer to him with it!!!

so phoenix's thoughts in japanese here were originally "housuke... wait, that bracelet! that's odoroki-kun!"

dhurke and later nahyuta (during the last moments of the 6-5 trial) also refer to apollo with his first name, which is... really nice!!! they're family!!!! i mourn the fact that this distinction isn't visible in english because most characters just call him apollo but it's special in japanese... it's only dhurke, nahyuta and datz who use his first name.... i'm normal i promise

funnily enough i sort of have the opposite issue with nahyuta, who is generally referred to as prosecutor sahdmadhi in english but nayuta-kenji (prosecutor) in japanese. i'm assuming this is because his name is written with his given name first unlike japanese names, so they just used his given name instead of his surname...? unfortunately we don't have an example of any other foreign prosecutor as reference (i'm excluding van zieks here because they DO use his surname but it's also an entirely different time and place) but i prefer the english here since it also makes it stand out when apollo, dhurke and datz (with yuty hehe) use his first name with him.

but then again... rayfa also refers to him as prosecutor sahdmadhi in english, but just calls him nayuta in japanese. there aren't a lot of characters rayfa refers to by name but generally she's either overly polite (with ga'ran and inga) or overly impolite (with phoenix and apollo). it makes sense that the way she calls nahyuta is a little unique, since he's of lower status than her but not enough to get a rude nickname fdjhja... and then of course at the end of the game she tries to call him onii-(chan? san? sama? we just don't know) which nahyuta interprets as oni (demon) i think the localization here is really impressive actually. they somehow managed to seamlessly fit braid head into the mix of barbed head and horn head (both nicknames that refer to their hairstyles) while braid also begins with the same letters as brother... anyway i think i slightly prefer that rayfa (and ga'ran) call nahyuta by his first name rather than by his prosecutor title, it's indicative of their higher status because of the lack of an honorific but by the end of the game it fits in with the idea of them all being family...

TGAA1-2

you would think that because tgaa opted to leave japanese honorifics in the dialogue that there wouldn't be any differences in how the characters refer to each other but there are... first of all kazuma and ryunosuke are once again male friends who refer to each other by their surnames without an honorific in japanese, but the english has them use their first names with each other instead. i can understand this change because characters using only their surnames with each other feels oddly distant in english, and while it worked for phoenix and edgeworth's relationship it definitely doesn't suit kazuma and ryunosuke's.

additionally, the way susato calls ryunosuke was also changed from naruhodo-sama to naruhodo-san. this is... also an interesting change since it requires the player to have some basic knowledge of japanese honorifics but for some reason decided to change it anyway, despite the fact that susato also uses -sama with kazuma... one thing to note is that susato does use kazuma's first name instead of his surname like she does with ryunosuke, which helps indicate their closer relationship despite her still showing respect with the -sama honorific. in that sense naruhodo-san feels like an interesting middle ground because she's still using his surname but doesn't seem to view his position with her as equal to kazuma's? i assume that was the intent of the localization, similarly to how the way kazuma and ryunosuke call each other was changed to indicate closeness to the english-speaking player

--

anyway while i do prefer the original japanese version most of the time, my general view of original vs localization is like wow! two cakes! i might prefer one of those cakes more, but the english version usually provides enough that i like that both canons exist. because of this i can't agree with the idea that all localization is bad nor the side that believes the original doesn't matter because you're engaging only with the english side of the fandom. both are good and can reveal interesting things about the characters, story and setting!!

and thank you for reading if you got this far 🙇 i'm not an expert at japanese so i try to do my research and use multiple sources to get a better view of things, so please let me know if i got anything wrong! i also recommend checking out this post if you haven't seen it already since it's where i got some pointers on the trucy and simon segments

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[gabessquishytum]

The ton of London is abuzz with the latest drama unfolding between Morpheus Endless and his father, Lord Time, over the question of the former’s marriage and just who is meant to meet him at the altar.

From almost the beginning of the Season, everyone had been treated to the sweet and clear courtship of Morpheus by Mr. Hob Gadling. It seemed to be love at first sight, and from a practical standpoint was considered to be a rather good match; Hob might have been new money, but what he lacked in connections he more than made up in wealth, looks, and honest charm. The Endless family are well-connected and well-respected, and while Morpheus could possibly have held out for a more equally-connected match, he was a third child (thus bringing little status to a marriage, when compared to his elder siblings), and furthermore had been considered rather unapproachable, aloof and cold, at least until Hob had managed to melt that icy exterior.

It had gotten to the point where anyone paying attention expected to hear of a proposal any day now, when chaos erupted: Lord Time, who had evidently not been paying any attention to his son or his courtship, heard the match being talked of as a settled thing, and quite firmly announced that he would not allow it. That he had in fact been arranging Morpheus’ betrothal to Mr Roderick Burgess!

Society is shocked by such a choice. The Burgess family was nearly as nouveau riche as Mr. Gadling, but with a much worse reputation (and possibly less rich). And to Roderick, to whom most of the poor reputation belongs, and who has a grown son of his own! By every measure Hob Gadling is clearly the better catch, besides which Morpheus Endless’ honor is quite firmly engaged at this point, and it would be scandalous to jilt Mr. Gadling after such a blatant courtship for such an inferior alternative.

Yet Lord Time refuses to budge on his decision, and no amount of attempted persuasion by his acquaintances, children, or even his wife (who normally presents a united front with her husband), will convince him that this course of action will damage his family’s reputation and his son’s happiness.

Morpheus doesn’t intend to take this lying down however. He plans to put himself in increasing compromising positions with his real fiancée (who is fully on board with the plan), until he is either officially engaged to Hob or considered so thoroughly ruined that the Endless family’s reputation can never recover.

And so the ton holds its breath at this game of chicken, waiting to see which happens first: the son bending to his father’s stubborn will and submitting to the sanctioned match, or the father breaking against the son’s determined willingness to drag the family name through the mud in order to marry his preferred suitor.

(Little does the ton know just how unlikely the former outcome is, as Morpheus loves Hob Gadling as strongly as he hates Roderick Burgess. Thus he is fully ready if necessary to bring himself and Hob off in the middle of a crowded ballroom, and make it very clear that this is not the first time they’ve engaged in pre-marital relations, if that’s what it takes)

Yes!!!!! I love these Bridgerton adjacent ideas for dreamling because those two are SO dramatic, you just know that they'd thrive in those conditions.

The nice thing about Hob being new money is that he doesn't really have much of a reputation to ruin, and no family to be disappointed in him. He cares very little about what anyone thinks of him; the only person he's interested in pleasing is Morpheus! And although he'd certainly prefer to save Dream’s reputation, for the sake of his beloved's place in society, Hob has no trouble at all in following Morpheus’s orders and misbehaving all over the place!

And it's certainly convenient, since they've been fucking ever since the Season began. Now Hob doesn't have to bother trying not to mark Morpheus’s neck above the line of his cravat. Hob has some well-placed conversations with some of the most notorious gossips in the ton, and soon enough everyone is craning their necks to see if the love bites are visible on Morpheus’s pretty white neck today...

Finally, Roderick Burgess seemingly can't take the idea of marrying a ruined slut like Morpheus any longer (despite the connections to the aristocracy, and all the benefits that would come with the marriage... Burgess can't cope with the fact that he would not be the first to break Morpheus in, so to speak). He breaks the deal with Lord Time, and what do you know, less than a week later, Morpheus and Hob are quietly married at an intimate little ceremony.

The ton decides to conveniently forget about the couple's scandalous behaviour - they're safely married now, so it's all quite alright. It was for the best that Morpheus married the man he clearly adored! And the honeymoon period seemingly hasn't ended either... at every ball of the next season, the newlyweds are bound to sneak off for old times sake, to some secret corner where they can renew their marital bliss. Not to mention what they get up to on the carriage ride home! It's quite clear to everyone (thanks to all the noises of satisfaction coming from behind the curtains) that Morpheus chose the right husband <3

[meamiki]

okay here is the original ramble under the cut here! mainly doing these to the ones with associated textposts for different tagging systems tbh LOL

vvv

TLDR - The Universe keeps fucking with Loop and they are not really happy about it, regardless of timing.

While I haven't decided anything 100% concrete for Loop, the idea of a reverse isekaied Loop in general is interesting to me, so I'll be exploring that a bit here. Especially in terms of timing on when Loop gets taken out of their timeline. At least in terms of immediate outlook within this AU. So, for now, have a couple of those thoughts! 

---

The two main points in time I am currently considering are the following:

1. From when they gave up their original wish and made a new one.

In this instance, I feel like their arc would play a bit similar to in game

Seeing this new world as different & peaceful

Since they don’t have to deal with the loops anymore, just watch whatever happens.

Be a lil silly for funsies! The chaos that can ensue with a star being existing within a modern world! 

Even though it hurts to see Siffrin’s team hanging around, they really don’t have anywhere to go at the moment (hard to hide a star being in this type of world)

To a slow realization of how unfair this whole situation is. In comparison to all of the horrors they went through, this Siffrin has it so easy.

This Siffrin gets to live an idyllic life, free from the world calamity of being frozen & the literal time loop.

This Siffrin gets to freely hang around their family team, with no foreseeable "end" to being with them in sight.

This Siffrin had their original wish, the wish Loop wanted granted, handed to them on a silver platter. 

This Siffrin, nor anyone in this world, would ever be able to come close to understanding what Loop went through; Loop would never truly be seen in this world, not fully anyway.

What does The Universe have against them, to put them into this world and make them witness all of this?

It should have been them, with this carefree type of life, given all they went through.

2. AFTER the fight with Siffrin.

This leans a bit more lighthearted than the last, since Loop would have gone through all the development from the game via convos + the talk at the very end with Siffrin, and has a bit more peace about their whole deal.

Perhaps they would still see the same conclusions as above, since healing from the horrors would not happen all at once, if ever, with additional flavor

Underlying bitterness in why the script is still going. 

Why is The Universe asking for them to continue into a new world and role?

Haven’t they had enough, once making them witness another Siffrin’s loops and perfect ending, and now a completely idyllic Siffrin’s life from the get go?

However, there is also a bit of hope in the entire situation. Since if The Universe keeps deciding to fuck with them (as in, sending them to different world lines) there is still, technically, the chance of going backward as well.

To their original timeline and to their family.

Once could have been a one-off, but twice?

Perhaps three world jumps might be the minimum to go back, following standard wishing rituals?

More hope in this one from the get-go, with that thought in mind.

---

Though there are probably other points in time that would be interesting too! 

Another one I was considering was RIGHT BEFORE the fight with Siffrin, perhaps even mid-fight. However, I don't think that makes much sense for this particular AU ASAFASFASDAS. Can you imagine if Loop just spawned into this world, doesn't realize this is a completely different Siffrin, and attacks on sight?????

Honestly the idea of a reverse-isekaied Loop into different AU's in general is neat, would love to see other people's takes on it!!  Especially cuz of the various reactions/conclusions Loop could have/make based on the scenario/circumstances would be interesting, if that makes sense. At least I think there is something in that thought? I dunno!

I feel like I am missing some characterization bits in here, but that was the main gist of it for now since I cannot remember LMAO.

Mumblings over, thanks for reading my silly thoughts if you got this far!!!

a star being appeared in your apartment, wdyd?

(aka loop getting reverse isekaied into the modern office au)

also there are some scattered mumblings on loop in this AU under the cut actually in an rb now link right here if anyone's interested (spoilers for all of ISAT, including 2hats!)

[captainjonnitkessler]

I chair my union's Women's Committee, and every once in a great while someone will make a half-joking comment about how "imagine if I suggested we have a Men's Committee though", and it's so frustrating because I would fucking love for us to have a Men's Committee!

Construction workers have sky-high rates of suicide, addiction, and overdoses, and I pin a large part of that on a culture that encourages machismo and masculine posturing. I think a lot of construction workers have lowkey trauma about the dangerous conditions they work in, but the culture insists that anyone who cares about safety isn't a real man. People accept that this job will break your body down and cause medical issues down the line, but if you take steps to protect your body - like using team lifts instead of insisting you'll carry 100 pounds of pipe up three flights of stairs by yourself - you're a wimp. Hazing the new guys often crosses into outright abuse, very often focused on ridiculing the masculinity of the victim, but if you stand up for yourself you're a pussy who can't handle a few jokes. Men in the trades are often invested in feeling like they are the provider and protector of their families, but this can make them feel like their self-worth is tied up entirely in what they can provide and not who they are as a person. Guys who have hobbies that aren't masculine enough are mocked relentlessly, because Real Men only like drinking and hunting.

Our Women's Committee focuses on issues that impact women the most, but the membership and the help we offer is open to anyone in the union regardless of gender. I would love to see a Men's Committee that works under the same idea, addressing these issues! But on the one hand, yes, I do think our business manager might reject the idea as appearing sexist or pointless. And on the other hand, I don't think the men who make those comments to me would actually be interested in a Men's Committee if we did have one, they just wanted to take jabs at me because they feel like I'm getting special treatment just for being a woman (never mind that this committee is essentially a part-time unpaid job for me).

The one guy that actually DID care about reaching out to and helping young men eventually left the union to focus on running a city-wide initiative instead, because he wasn't getting any support from his union brothers. It's fucking hard to help people who won't meet you halfway.

[changbinsboobs]

yes pleasue you have interesting things to read about. hmm i also wondered how they view their reputation among both male and female idols? do they think it could be better or worse?

Since this requires lots of time to read for im gonna split it up in 2 groups again

Hyung line: How Skz think their reputation is among idols

Chan

Male: that one was a bit weird i think he thinks the opinions are split - like some absolutely love him and think he's a delight to be around, while others find him cold and stern and appalling(?).

Female: he definitely thinks he's charming them girls up😂 i think he thinks he has a loverboy image among them and is boyfie material.

Lee Know

Male: he thinks they view him as very motherly and caring. Often surprised by his nurturing and father/mother like qualities.

Female: thinks they view him as uninterested and maybe don't even have much else of an opinion of him cuz he's just not present around them.

Changbin

Male: thinks they view him as really fun and upcheering, kind of like the heart of the group or center of attention. He also thinks that they think of him as someone who brings or holds a group/hangout together. Like the burning flame that keeps the campers surrounded around it, warm.

Female: he thinks they like him and have a good opinion on him and feel comfortable & safe around him (he says one telling thing is that he gets to see their dorky side often, which they keep under wraps with other guys/people). Also he thinks that they like his money or view him as someone who's very generous and can spend on them🥲💀😂

Hyunjin

Male: this was also a bit difficult, i think this mightve struck a nerve or something as im getting an energy of him being very hurt by some sort of rumours or behavioursbof someone and it shattered his "views" of some people. Maybe there was a rumour or something spreading about him among guys that either isnt true and he feels horrible that someone put it out there and people believe it and now thinks everyone thinks bad of him or something, or maybe the rumors actually true, and he's certain someone he thought was his friend started it and whichever it is he feels really shitty and austrasized about it. Dont know if thats actually true - like if he's been really austrasized or not, but thats definitely what he feels. Back to the topic tho - his overal thoughts besides that, on his image among male idols is they think he's very cool and fierces, he thinks he's kind of a role model especially for younger ones, like ifhglgkg yk that energy of a big and little sis, and the younger one looks up to the bigger one. So in a way i think he thinks that a lot of guys look up to him and think he's really cool.

Female: here i don't pick up much on his reputation persee but he thinks that lots of female idols just look at him from afar and admire him, despite really wanting to get close or make a move but for some reason i get the feeling that they don't? As if he's there to just be admired but not touched😂 like the art in the museum. Maybe he has heard rumours or something about people really liking him and thinking about or wanting to make a move. But again im no getting much of a confirmation if they actually do or not. Oh and also in this reading rumours were pretty evident, so maybe he's someone that has had to deal with lots of that. Maybe he's in those kinds of groups where theres always some drama happening😂 or he just enjoys endulging in rumours or gossip himself? Idk but that stuck out in this reading so🤷🏻‍♀️

[dunmeshistash]

Greetings, Mr. Meshi!

This is perhaps a bit of an unorthodox question, but one that has been bothering me for an unreasonable amount of time.

Now, here's the thing: I OBSESS over Marcille outliving everyone she holds dear. It's a theme very close to me, but even beyond that I just find it to be one of the most interesting elements of Dungeon Meshi's story for me personally. I've written an embarrassing amount of lengthy essays on it that will never see the light of day - that's how obsessed I am over this specific element of her character. But, there's something that bothers me...

A lot of poignant stories and artworks that tackle this topic get comments on 'em whenever Falin is the subject of aging, each one some variation of "Everything points to Falin having an extended lifespan after her revival!" which... Seems weird to me?

I don't know why this bothers me so much, but setting aside my personal annoyances, I don't remember anything pointing to this at all. At least, nothing concrete.

I don't know if this is a question you'd want to answer or not, but since your blog is a hub for all sorts of opinions and headcanons, I'd love to know where this line of thought could originate from.

I really wouldn't blame you if you didn't answer this question, though. Part of me feels I'm just asking this because I want to see if others share in my confusion or not.

Rrrregardless, though! Lemme take the opportunity to say that your blog is delighful. Love it! Also, that mushroom man with the funny face that sometimes responds to you with lengthy essays is also really cool. Everyone is cool. At least here on the northern hemisphere! It is smack dab in the middle of fall, after all! Coolness all around! Stay frosty! Or don't! Maybe warm up at a fireplace. I don't know!

Hi there! Thank you for the kind words, I love reading other's opinions on what I post so I also love the additions by the mushroom <3

It's quite hot over here in northeast Brazil, send some coolness my way please I'm dying.

Your question isn't strange at all! And I don't mind answering anything (unless it's rude or sounds like shipping war bait) so don't worry.

(Decided to put the rest under a readmore, TLDR: Kui said "maybe so, right?" about Falin having a longer lifespan but I have arguments why I don't think this actually confirms it. Anyway if you're someone who likes the headcanon you might want to skip this post)

To be honest those type of comments bother me too because I also LOVE Marcille's struggle with mortality and sometimes "Falin will live much longer!" feels undermining of the lesson she had to learn. I don't mind it in the headcanon sphere where everything is allowed and happy endings grow on trees but when it becomes intertwined with canon it starts to make me a little disappointed.

Just a reminder of the lesson she has to learn

She has to come to terms with the cycle of life and death, that something she wants (everyone to live longer) shouldn't be forced upon others just because it causes her grief. So, to me at least, Falin being made into something that will end up outliving other tallmen would undermine the message? In a canon sense ofc, if you're writing a wish fulfillment story then her living longer would have a different meaning, I just wanna be clear I have nothing against it in that sense, it all depends on what story you're trying to tell.

Anyway, actually answering your question that idea comes from the fact she was fused to a Red Dragon, and the fact her body has been affected by it, her sight was fixed and she grows feathers for example, so people theorize maybe her lifespan has been affected too. But we don't really know how long dragon's live so it's hard to say how much it would have been affected if at all.

It also comes from this answer Kui gave in a QnA

Q: Would Falin have an extended lifespan after the whole chimera thing? A: Maybe so, right?

To me this reads as the usual non-answers Kui gives, like, "I'll leave it up to your imagination" but for other people this read as a confirmation of the headcanon, in another questions she answers "I hope so" about Thistle leading a happy life after having his desires eaten and it's even debatable if Thistle survived at all so I don't think those comments indicate much of canon (I'm that way about most QnA answers tbh, unless it's something inconsequential like confirming Mithrun's Brother's name or stuff about very minor characters)

Another argument I have against her having a different lifespan is Izutsumi, Izu has been mixed with a monster but continues to age at the same rate a Tallmen would, even tho she also has different biology because of the Great Cat she's fused with (ears, reflexes, eyes etc etc) she is still a tallman

Falin isn't really the same thing as Izutsumi tho, I understand, but it's the closest example we have, if we believe the AB descriptions and demi-humans are really mixes between humans and monsters that's also another argument about it not affecting lifespan, since all of them are short lived and have an average lifespan of 55.

All of this *can* be dissmissed tho, the other demi-humans and beastmen are all mixed with mammal monsters and nothing nearly as powerful as a Dragon, so there is arguments to be made that Falin is different and that she *might* have an extended lifespan, all I'm saying is that there's no solid confirmation of it, it's fine to believe it but going around "correcting" other people saying it's a fact wouldn't be right I don't think, especially if you're saying that in a conversation about Marcille journey of death acceptance.

Death is a touchy subject and everyone is at different stages of their own journeys with it so I really don't want to judge those who would rather have Falin or even Laios live longer. I'm not really sure how to talk about this in the proper way, but I hope I didn't make anyone upset!

[myersesque]

ok. so. viktor is my favourite character in arcane. i am also physically disabled and hate the Magical Miracle Eugenics Disability Cure trope with a fiery passion. naturally i have a lot of opinions about where his character is going, but for now, here's a relatively simple one:

internalised ableism has always been part of viktor's character. he describes himself as "a poor cripple from the undercity" (yes, quoting how other people speak about him, but still); he shies away from the spotlight even when jayce encourages him; as a child, he directly acknowledges his disability as the reason other children don't associate with him.

i watched a video essay recently ("how arcane writes men" by schnee) that identified viktor's tendency to just suck it up and push through his problems rather than dwelling on them as a stereotypically masculine trait, which he is written to both subvert and lean into. whilst i agree with that to some extent, i think for viktor specifically it's more of an insight into a very common mindset for disabled people to have; a lot of us do not want to be pitied, and understand that acknowledging our hardships will often unfortunately lead to being treated as attention seeking. he doesn't dwell on things because he can't, unless he wants to be looked down on more than he already is; he's already had to fight to even be acknowledged as more than somebody's assistant, or respected as a zaunite living and working in piltover. i can't imagine he's keen to show any further "weakness"; he only ever cries when he's alone. it makes sense that he'd want to save himself rather than relying on anybody else.

the dangerous thought process of "fixing" people with the hexcore begins with that desire to save himself. at first he's just trying to stop his illness from killing him, but then he progresses to carving runes into his leg, seemingly in the interest of fixing his limp - which works, albeit temporarily. he seems aware enough of the implications of what he's doing to be somewhat ashamed of it (or, at the very least, enough to hide it from jayce). i've seen a lot of (mostly able bodied) people interpret the scene of him running down the pier as victorious, but it always felt bittersweet and scary to me; the dark, painful fantasy of "fixing" the thing the world has always looked down on you for, and the unsettling knowledge that you were never supposed to exist that way. a man experiencing a moment of joy only when he has detached himself from a core aspect of his being; self hatred disguised as progress. he only seems to register the horror of what he's doing when it kills sky.

it's not a leap to say that, with the hexcore dulling his emotions and blurring the lines of his ethical code, he would turn this externally. self loathing so insidious that he mistakes it for kindness and mercy and points the blade of it at the people he swore he'd help. before merging with the hexcore, he was desperate to destroy it and rid himself of its influence, hindered only by his physical inability to do so; under its control, he's seemingly lost all those inhibitions, wiped clean of his understanding of its danger. no longer "clouded by emotion", no longer human enough to know better, no longer suspicious of the arcane.

what viktor becomes in season 2 is, i believe, a hellish mix of his own internalised ableism and the hexcore's desperation to spread and survive. his genuine desire to help people has been warped into stripping people of their individualism, forcing them into some predetermined ideal in the name of healing (very "the empty child" from doctor who). it's his own character flaws mixed with the inhuman apathy of the hexcore. the road to hell is paved with good intentions, and also dressed up so nicely that you don't even realise you're headed downwards.

this is not what viktor stood for, but rather a perversion of his own insecurities, with a fresh coat of hexcore paint to stop him (or his followers) from scrutinising it too closely. they took the guy who dedicated his life to bettering humanity, and warped him into something doomed to destroy it.

(or something like that. idk. i haven't slept.)

[nalyra-dreaming]

I keep thinking of the line 'to crush what you cannot own' and how it describes Armand's actions too - if he really did mean for Louis to die in Paris, which seems likely atp. Sacrificing Louis would punish Lestat and stabilize the coven ofc, but do you think it was also Armand ending the relationship on his own terms, once he'd realized Louis couldn't be controlled or 'owned'? Bc killing him was preferable to being abandoned? I know many think it was Loustat's love Madeleine felt in 2.06 (& it probably was!) but IMHO it wouldn't change much even if it was about Loumand. However much Louis theoretically loved Armand, he'd always love Lestat & Claudia more. Armand could never own him completely or be 100% assured of his loyalty & that was the issue. I keep seeing fans ask things like 'why did Armand do X if he loved Louis?' or 'why would they stay together if they weren't in love?' and tbh…I think some got too sucked in by Armand's 'beige pillow' persona lol. Because it's a fully calculated performance designed to disarm & control - there's a grain of truth to it, but it's still v strategic. IMHO 2.05 did a good job of peeling back the romantic facade, and the finale twist further compounded the truth, but maybe I'm off base there. Do you have any thoughts on this? (sorry if you've discussed this before, I can't keep track of the asks you get lol!)

(I don't blame you lol, it's a LOT of asks by now^^)

No, I have not talked about that aspect of it all :).

Sooooo, that "crushed" statement is rather interesting, but let me get to Armand first.

I think wrt Armand betraying Louis and Claudia there (and the show did frame it as the big betrayal, the Judas' Kiss), it has a lot to do with Armand being beyond bitter about Louis not loving him ... as he loved him.

Armand literally says that, in 2x05. Spells it out, when he talks about Claudia's love for Louis - and that it was not the same (level) as Lestat's - or his - love for Louis.

Interesting there is the tense, because it is past tense. "Loved".

I do think, (and that I said before^^), that Armand loved Louis, fell for Louis, in Paris.

Unfortunately though, Louis did not love him back the same way, and thus the betrayal happened (very simplified, but still) - and (Lestat's behavior and) Lestat saving Louis at the trial... changed the game again. Louis became something else to Armand, namely leverage, and a vessel. Something he could own and form, built on history with both Louis and Lestat.

Now the "crushed line".

THAT is a really interesting one. Because "crush" is used thrice in the show. First, when Daniel is served a dish in s1, imho rather unimportantly.

Second, when Santiago describes Louis' kill (the Dreamstat-kiss-kill) in the park:

"A mutilated body found in a park three nights ago. Crushed skull, puncture wounds on neck, chest and shoulder blade."

And third, when Lestat talks about what he did to Louis with the drop.

"I couldn't... persuade... him to return my affections. I couldn't force him to love me and so... I broke him. What is worse than that? Crushing what you cannot own?"

Now.... I always felt this monologue was a bit off, not because Lestat owns up there, or because of the words, but... "forcing Louis to love him"? I don't think it was about that between them. Given we know Armand influenced the tale, this... is one of those things that will be interesting to see IF they were influenced, but that just as a note, because yes - it describes Armand's actions, too. Sam said he left hints and crumbs, and maybe that is one, too.

The word "crush" connects Louis' desire and need for Lestat with Lestat's need and desire for Louis.

It is "crushing" for them both, a strength of emotion that almost cripples them, and makes them behave violently. This is no excuse(!) for any in-story actions, but the writers on this show are playwrights and you can be sure that they know what they're doing :))

There is a quote in the later books, which encapsulates this love for Louis (from that side at least) quite well:

"It was the love of Louis which had at times crippled Lestat, and enslaved Armand. Louis need have no consciousness of his own beauty, of his own obvious and natural charm."

I agree that Armand's beige pillow persona is parts a facade... but then again not, because Armand... is not the hurricane that is Lestat. Armand is old, and jaded, and disciplined. He lives by a strong ruleset, and that little "metronomic, my Rashid" that Louis throws at him in 1x05 makes its comeback in 2x05 when when he spells it out that he finds it boring that everything is so predictable.

Book canonically it is Daniel who changes Armand a bit (at least), who makes him break some rules and principles. And... given what we've seen so far? I think that will stay just the same. Or has already happened in parts^^.

[aardvaark]

medical drama necessities:

doctors exclusively use the paddles for defibrillators. the electrode pads that are very common today do not seem to exist.

the show has never heard of any medical professional besides a doctor in its entire life. what is a nurse??

the best doctors never explain The Treatment TM, they just administer it in the middle of an emergency while their colleagues shout "what are you doing??" and try to pull them away.

doctor massively crosses legal or ethical lines but doesn’t get any punishment because they’re the main character

doctors really, really want to stab a hole in your throat. trying the heimlich maneuver first? nah, that’s silly.

the faster you do CPR, the better it works.

doctors have a wildly disproportionately high rate of getting into emergencies themselves. you’re guaranteed to require emergency surgery at least once, it’s in your contract.

don’t you hate it when your workplace is interrupted by a bomb, a blackout, the ceiling caving in, a car crashing right in through the ground floor walls, a highly infectious fatal disease outbreak, and every possible natural disaster known to man?

failed paternity test = the kid was accidentally switched at birth

"i’ve never seen anything like this before. this is a once in a lifetime case" - thing that someone will say every week about the most recent rare disease or unusual surgery.

creative surgery with some interesting tools. i’ve seen everything from a ballpoint pen to a pig being used in tv medical procedures.

doctors scrubs are oddly well-fitted, particularly on the women.

everyone is having sex in the on-call rooms or supply closets. also, no one knows how to lock or barricade doors.

"please get rabies shots if you are bitten by a bat or stray animal" psa episode

no one throws up. and if they do throw up, it’s fully captured by one of those little bowls and we don’t see anything except maybe some spit.

live worms, spiders, or even small fish inside people’s bodies.

incarcerated patient transferred to the hospital from prison. almost certainly a murderer or did some other particularly messed up thing, and very likely to be on death row if the show’s set in a place where death penalty still stands.

patient wakes up in hospital, pulls out their IV and tries to leave (special shoutout to this one because it makes me gag every time, that thing is IN YOUR VEIN).

[thecarnivorousmuffinmeta]

What if Elsa and Anna’s parents survived their trip to Ahtohallan and back?

The thing is, there were answers in Ahtohallan, but they weren't very actionable or useful for your average person.

Elsa gets something out of it because she dies, turns into snowflakes, and is resurrected as the fifth element. The movie tells me this is the same Elsa we know and love but, well, we'll never know.

For Elsa's parents--they might find out Elsa's the fifth element, but probably not as the guardian horsey isn't going to let them get that close. The other part about shafting the natives that Anna and Elsa found out as the story progressed, well, they probably already have some idea/I can't imagine either of them are naive enough to really believe it was all a terrible tragedy given what happened.

And ultimately, the problem Elsa was having wasn't something that could be solved by the Ahtohallan trip in and of itself. Elsa had to learn not to fear herself, which up until this point everything her parents had done to try and help her had only made things worse.

Which means no matter what they find out, we're right back where we started at Frozen 1. Anna and Elsa have a strained and distant relationship that Anna is extremely frustrated about, but their parents are young and Elsa is highly unlikely to be coronated anytime soon. As a result, the gates are still not open for coronation day and there's no impetus to change (in fact, there might be less, as Elsa's parents are going "fuuuuuuuuuuck" upon coming back and not having an answer to Elsa's problems).

Where things get... interesting... is down the line.

Now, the couple has two daughters. On the one hand, Elsa has been preparing to be queen her entire life, she has sacrificed so much to do so. She's very intelligent, pragmatic, and capable of being queen. But, her powers are out of control with no solution in sight. Sooner or later, she's going to slip, and they can't lock up the fucking country forever.

However, the second daughter, has not been trained for being queen at all and is... Anna. I'm sure her parents love her, they seem to from what we see of them, but Anna, especially as of Frozen 1, does not walk around with the comportment of a queen. Anna's a charming but clumsy goof who is also, at that point in time, swayed by romance and fantasy. Anna wants an adventure, a grand romance, that she might get as a princess who could be married off to a foreign kingdom.... but not as a crown princess/heir apparent.

Not to mention Anna has given 0 indications she wants to be queen, at all, and Elsa really really really does want to live up to expectations.

THOSE POWERS THOUGH.

I imagine there's much debate of "do we send Elsa up north to the wilderness where she can make as many snow things as she likes and cover it up somehow? or do we keep her here and hope for the best despite it just getting worse :/"

And Anna, I imagine, is losing her patience. She's getting close to marrying age, she can get out of this fucking kingdom. She wants to meet handsome princes and LEEEEAAAAAAAVEEEEEEE. This is bad because a) it means no backup for Elsa b) Anna you haven't even met these fucking princes.

But Anna also can't be shut up forever and she really should leave and get married, you know, eventually.

So one of a few things happen:

Under Immense Stress, Elsa Causes Eternal Winter

Sooner or later, probably when some public appearance is mandated with no wiggle room, Elsa fucks up as she did in canon. Maybe Anna is insisting she's going to run off with Hot Prince Hans who is so Hot and Of the Souther Isles, but the way things were going--the pressure was unbearable, and she was near her breaking point.

At this point, we pretty much get Frozen as Anna (probably the catalyst) goes after her sister to find out "what the fuck?!" and is also going after her sister to prove a point to her parents "WHO LIED?! THIS WHOLE TIME?!"

Hans may or may not be involved, but if he is, then he has a lot more royalty to go through this time so is probably not scheming to murder absolutely everyone and "I AM SUDDENLY KING!"

Not quite the same situation as when the king and queen were recently dead, the country in a panic over whether Elsa could handle it, then Elsa's suddenly a fucking witch and oooooof Anna's queen... and she just ran off to the mountains...

Anna of the Souther Isles

Anna gets set up with a match just as she wants and ships off to somewhere warm without any fear of being shut out. Problem is, Anna has no idea who these people are or what she's getting into and it will likely be a fucking mess. Except she's also married to a man she doesn't really know and there's now no easy way out.

"hooraaaaaay" - Anna